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Afghanistan: The Pity of War
Start date: 07 August 2010
End date: 01 October 2010
Prizes: (These are the prizes offered after a day, list will possibly double in size)
1st Place -
1000 Points, courtesy of Penessence
1000 Points, courtesy of tina-go-lightly
A DD Suggestion
A DLD Suggestion
A Critique, courtesy of li1121
A Critique, courtesy of Christianonfire7
A Critique, courtesy of MUSiiCxMANiiAC
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
2nd Place-
2 Critiques, courtesy of Penessence
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
3rd Place-
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
A great interest of mine is the Poetry of the First World War.
In a more poetry-literate age than our own* it was to be expected that when faced with death in the deep mud of the trenches, a generally more capable generation of writers would pen at least some immortal truth about what war was.
Foremost among those writers are the giants Sigfried Sassoon, Robert Graves, and Wilfred Owen. However their are scores of others you may have heard of, for example e.e.cummings, who wrote of WWI 'my sweet old etcetera'.
This contest however is going to be concerned with the theme of Wilfred Owen- that being 'the pity of war'.
The war I would like your poem to focus on is the war in Afghanistan.
Here is an example of what you'll be competing with by Owen:
Anthem for Doomed Youth
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them; no prayers nor bells,
Nor any voice of mourning save the choirs, --
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds. </i>
You however, have a distinct advantage. You are not stuck in a trench, and you have a word processor. Furthermore soldiers are desensitised, and you are not.
I think in this case it is possibly an advantage not being present at the war. All of us anyway recieve a constant stream of media about Afghanistan, usually soldier deaths, friendly fire and the like.
So now for the vital stats of the contest
Judging criteria:
Form - You can write it however you want, short lines, long lines. etc. I am judging (sadly) and I will say that I am a fan of simplicity and rhyme (but not over the top).
Language - Above all keep it relevant to the modern reader, concise, and try and make every word worth a thousand. e.g. this WW2 poem by me: fav.me/d29njcg
Originality - I personally have churned out some pretty maudlin (miserably sentimental) pieces about war, but I'd rather entries focused on the humanity of both sides and were more subtle. This will actually probably result in people feeling a deeper seated despair when they read your entry anyway.
Technique - So as I just said, lets not go over the top with emotional language, it should build throughout and be perfect in the closing lines.
All entries must include a link to this news article (so bookmark it) in their artist comments. Entries will not be accepted until you do this.
All entries must be written after the date of this article being published.
Send links to entries by note to me (Penessence), you may enter one piece only.
Afghanistan: The Pity of War
Start date: 07 August 2010
End date: 01 October 2010
Prizes: (These are the prizes offered after a day, list will possibly double in size)
1st Place -
1000 Points, courtesy of Penessence
1000 Points, courtesy of tina-go-lightly
A DD Suggestion
A DLD Suggestion
A Critique, courtesy of li1121
A Critique, courtesy of Christianonfire7
A Critique, courtesy of MUSiiCxMANiiAC
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
2nd Place-
2 Critiques, courtesy of Penessence
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
3rd Place-
Journal Features, courtesy of:
FayetteAethelwyne
invizygirl
mountae-stock
Tuttlebird
MUSiiCxMANiiAC
Penessence
A great interest of mine is the Poetry of the First World War.
In a more poetry-literate age than our own* it was to be expected that when faced with death in the deep mud of the trenches, a generally more capable generation of writers would pen at least some immortal truth about what war was.
Foremost among those writers are the giants Sigfried Sassoon, Robert Graves, and Wilfred Owen. However their are scores of others you may have heard of, for example e.e.cummings, who wrote of WWI 'my sweet old etcetera'.
This contest however is going to be concerned with the theme of Wilfred Owen- that being 'the pity of war'.
The war I would like your poem to focus on is the war in Afghanistan.
Here is an example of what you'll be competing with by Owen:
Anthem for Doomed Youth
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them; no prayers nor bells,
Nor any voice of mourning save the choirs, --
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds. </i>
You however, have a distinct advantage. You are not stuck in a trench, and you have a word processor. Furthermore soldiers are desensitised, and you are not.
I think in this case it is possibly an advantage not being present at the war. All of us anyway recieve a constant stream of media about Afghanistan, usually soldier deaths, friendly fire and the like.
So now for the vital stats of the contest
Judging criteria:
Form - You can write it however you want, short lines, long lines. etc. I am judging (sadly) and I will say that I am a fan of simplicity and rhyme (but not over the top).
Language - Above all keep it relevant to the modern reader, concise, and try and make every word worth a thousand. e.g. this WW2 poem by me: fav.me/d29njcg
Originality - I personally have churned out some pretty maudlin (miserably sentimental) pieces about war, but I'd rather entries focused on the humanity of both sides and were more subtle. This will actually probably result in people feeling a deeper seated despair when they read your entry anyway.
Technique - So as I just said, lets not go over the top with emotional language, it should build throughout and be perfect in the closing lines.
All entries must include a link to this news article (so bookmark it) in their artist comments. Entries will not be accepted until you do this.
All entries must be written after the date of this article being published.
Send links to entries by note to me (Penessence), you may enter one piece only.
Tony Harrison - A Cold Coming
UPDATE: CONTEST http://prosepoetry-elegance.deviantart.com/journal/Collaboration-Contest-269998372
In anthologies this poem is usually preceded by an extract from T.S. Eliot's Journey of the Magi (which is pretty awesome itself)
Anyway, you can read the full text here: http://www.guardian.co.uk/theguardian/2003/feb/14/features11.g2 , though I wouldn't recommend reading anything else on The Guardian. Also this early version is different to the one I have typed out...
I thought I'd feature some of my favourite parts though :]
The poem is about a charred Iraqi insurgent in a burnt out car. (Yes, my home territory.) - [I write war poetry, I'm
Movember is fun
For about three days.
Now I have a ridiculous wiry moustache. I have to keep trimming it, it goes in my mouth, is unworkable, etc. etc.
The ladies love it though /end sarcasm
Europe
For anyone who remembers my Euroscepticism (based on a love of democracy rather than xenophobia), and my claims that the Euro would be a disaster about three years ago...
*Drum roll*
I told you so!
Anyway, moving on.
I have a dissertation to do for Uni, which will be a collection on mortality. So look out for lots of maudlin poems on my page over the next six months.
I just put one up titled 'The Hillock'
Hope everyone is cool...
London
Well the British news has become a combination of V for Vendetta and Jeremy Kyle! If you are American and haven't seen either of those shows/movies then basically I mean worthless scum and oxygen thieves are rioting across the nation in tracksuits and masks.
I will be watching the news from the comfort of my front room tonight. I might even get some snacks...
How exciting/depressing
http://www.telegraph.co.uk/news/uknews/crime/8687177/London-riots-live.html
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Hello, your contest has been featured in this weeks issue of LitBits: Volume II.
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don't forget to the article and spread the word